Women Color Masters
Limited edition of 999 copies



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Women Color Masters
Limited luxury edition of 999 copies.
THREE AMAZING BOOKS IN ONE:
Includes three masterpieces of color created by women.
- Mary Gartside: An Essay on Light and Shade, on Colours, and on Composition in General—London, 1805
- Elizabeth Burris-Meyer: Historical Color Guide , 1935
- Beatrice Irwin: The New Science of Colour , 1915
In English.
Hardcover with slipcase, 9.4 × 12.9 inches. 341 pages
Numbered edition certificate
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Pre-sale. Available October-November 2025.
Women Color Masters
We present a book about colorists such as Mary Gartside, Elizabeth Burris-Meyer, and Beatrice Irwin. It is a fascinating exploration of the influence of women on the study, use, and theory of color, a field that has traditionally focused more on the work of men such as Goethe, Newton, and Josef Albers. This book highlights the important—and often overlooked—contribution of women to the development of color theory and its application in art and other disciplines.
Women in color theory
This book portrays the role of women in the history of color, highlighting how they have contributed to fields such as science, art, and design despite the barriers they faced in their respective eras.
Legacy and influence of women in color theory
The book concludes with an analysis of how the contributions of these three women helped broaden the understanding and use of color in their respective fields and influenced subsequent generations of artists, designers, and scientists. It also reflects on how their approaches—often outside the mainstream—have contributed to developing new ways of understanding color as an artistic, scientific, and spiritual phenomenon.
A spectacular limited-edition book about these pioneers of color: Mary Gartside, Elizabeth Burris-Meyer, and Beatrice Irwin.

Elizabeth Burris-Meyer
“Historical Color Guide”
She was a leading figure in 20th-century costume and stage design, as well as the author of several texts on the use of color in these fields. She pioneered the study of how color affects human emotions and how it can be applied in various contexts, from fashion to theater to interior design. Her Historical Color Guide and other texts she wrote or co-wrote are essential for understanding the use of color in the home.
Elizabeth Burris-Meyer's Historical Color Guide has been widely used by fashion designers, costume historians, curators, and textile conservators. It offers a solidly documented basis for understanding how colors have been applied throughout various historical periods and regions.

Mary Gartside – a pioneer of color theory
“An Essay on Light and Shade, on Colours, and on Composition in General — London, 1805”
Mary Gartside (late 18th–early 19th century) was an English watercolorist and color theorist whose work is notable as one of the earliest contributions by a woman to the field of color theory. Her book An Essay on Light and Shade (1805) was revolutionary for its use of watercolors to illustrate color theory, unusual in an era when the field was dominated by men. Gartside used watercolor spot diagrams to show how colors interacted with light and tone, anticipating later theories.
This book explores his unique method, his conception of color as fluid and changing, and its impact on the art of his time, as well as the influence it may have had on the subsequent development of color theory.

Beatrice Irwin
“The New Science of Color”
Beatrice Irwin, an English poet and writer from the early 20th century, approached color from a mystical and spiritual perspective. In her book , *The New Science of Color* , published in 1928, Irwin argued that color had a profound relationship with spiritual and energetic vibrations. She believed that colors could be used to enhance the spiritual state of people and spaces.
Irwin was an innovator who promoted the idea that color could have a direct effect on people's emotional and spiritual health, a proposition that anticipated modern practices such as color therapy.

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